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supported by 5 fans who also own “Stonesong”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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contradictions (plays lu xun, žižek, baudrillard and beckett)
by yan jun
supported by 4 fans who also own “Stonesong”
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C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension.
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A haunting stillness characterizes “FIL O FENJOON,” where drone-like arrangements expand endlessly.
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The Symmetry of Telemetry
by Rick Reed
Expansive soundscapes make up the latest from Rick Reed, full of lush, haunting atmospherics.
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The intellect given birth to here (eternity) is too young
by Peter Brötzmann / Keiji Haino Duo
supported by 4 fans who also own “Stonesong”
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