Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download includes PDFs with Christiansen's hand drawn scores for Gudbrandsdal, his notes for the six parts of Peter der Große, and text by Magnus Kaslov.
Purchasable with gift card
£14GBP or more
Record/Vinyl + Digital Album
180g double vinyl edition, housed in reverse-printed gatefold sleeve. Includes booklet with Henning Christiansen's hand drawn graphic scores for Gudbrandsdal.
Includes unlimited streaming of Peter der Große / Gudbrandsdal
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Two of Henning Christiansen’s tape works from the 1980’s, 'Peter der Große op. 174' (1986) and 'Gudbrandsdal op. 178' (1987), are now released for the first time by the Institute for Danish Sound Archaeology. Originally composed for different contexts – 'Peter der Große' as the score for a German radio feature and 'Gudbrandsdal' for a performance in collaboration with Joseph Beuys and later Bjørn Nørgaard – the two works stand out in Christansen’s extensive and many-faceted oeuvre by employing almost entirely electronic sounds. Peter der Große involves electronic instruments like synthesizer and a crackle box, while Gudbrandsdal employs a more minimal approach and aesthetics through the heavy use of echo effects and manipulation of the tape speed. Both of the tape works carry a heavy atmospheric tone and are set in a largely electronic sound world. Two absolutely enthralling and immersive pieces of tape music, now available for the first time.
credits
released February 22, 2020
Composed and produced by Henning Christiansen, 1986-1987.
Text by Magnus Kaslov
Digital transfer by Claus Byrith
Mastering by Andreas Pallisgaard
Cover design by Kasper Vang
A great thank you:
Thorbjørn Reuter Christiansen, Helmut Kopetzky, Bjørn Nørgaard, Mark Harwood, Claus Byrith, Lars Mørch Finborud, Henie Onstad Kunstcenter, Eva Havshøj Ohrt, Edition·S, Åse Hedström, Henning Christiansen’s Archive.
Published by Institut for Dansk Lydarkæologi 2020
IDL 17 · All rights reserved.
With support from KODA Culture.
C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension. Bandcamp New & Notable Mar 26, 2018