"In the summer of 1969 we made a collective film "The Search" on the heath in Jutland, Denmark. Henning Christiansen made on site field recordings for the individual scenes with Peter Sakse as sound master. The music was first used during the performance at the festival Strategy: Gets Art exhibition organised by Richard Demarco at Edinburgh College of Art, on August 21,1970 with Joseph Beuys and Henning Christiansen. Henning Christiansen sampled the field recording into the organ music from "Eurasienstab." He gave this composition subsequently the title 'Requiem of Art Fluxorum Organum II Opus 50'. That means a requiem for the role of art in the 1960s." - Ursula Reuter Christiansen, Møn, Denmark 10.20.2015
supported by 4 fans who also own “Op. 50 Requiem Of Art (Aus "Celtic") Fluxorum Organum II ”
Beautifully immersive sound experience. Not familiar enough with the mechanics of ZIM and the liner notes are pretty oblique about those but ample on the poetics and the humor (yes!) of this music. A high water mark for Braxton's music. Mr. Edison
C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension. Bandcamp New & Notable Mar 26, 2018
supported by 4 fans who also own “Op. 50 Requiem Of Art (Aus "Celtic") Fluxorum Organum II ”
Incredible display of control, discipline, and a deep knowledge of the resonant properties of stringed instruments. Virtuosic command of spectral variation, bow pressure, and the infinite distance between the bridge and the fingerboard. Highly recommended for snooty academic french school spectral music fans and rude texture-hungry harsh heads alike. Estlin