"I have worked together with sheep before" - says Henning Christiansen - introducing the performance he did in front of the Brucknerhaus in Linz in July 1988. But this time he went beyond, building a "Concert-Castle" with hay blocks where thirty sheep could perform music. Another time the animals - Christiansen's obsession and passion - become the musical instruments used for his compositions: "Originally most of instrumental sounds derived from animal voices or other sounds of natural phenomena. The violins, for instance: someone found out that stretched intestines, dried bowels, could produce a sound. This has simply been civilized, refined".
C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension. Bandcamp New & Notable Mar 26, 2018
Composer and bass player Håkon Thelin aims to cut to the essence of the double bass by focusing on technique with these contemporary pieces. Bandcamp New & Notable Apr 11, 2023
A collaborative effort between the Connecticut drone duo and the Philadelphia-based songwriter, steeped in the ritualistic avant-garde. Bandcamp New & Notable Oct 26, 2022
Danish avant-garde crew SVIN explore far-out new lands on their latest, the sound of a galaxy folding in on itself in cut time. Bandcamp New & Notable Jul 16, 2022